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The Basic Training Canon

Cadences, Called Straight

Before 1944 troops marched in silence. Then a tired private named Willie Duckworth started chanting on the way back to the barracks at Fort Slocum, and the whole force has called cadence ever since. Here are the ones still run today — with a metronome so you can call them at the right tempo — and the honest history of the ones that got retired.

In use at basic today

Clean, authorized, still called — 29 of them. A commonly documented version of each; cadences vary by unit and caller, so treat these as the core, not the canon.

Running · Double Time (~180 BPM)

C-130 (Rolling Down the Strip)

Army

C-130 rollin' down the strip Airborne daddy gonna take a little trip Stand up, hook up, shuffle to the door Jump right out and count to four And if my main don't open wide I've got a reserve by my side And if that one should fail me too Look out below, I'm comin' through

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

The most famous running cadence in the Army, and the anthem of every Airborne School graduate. It walks through the actual jump sequence — stand up, hook up, shuffle to the door — which is exactly why it sticks: you rehearse the task while you run. Dozens of documented verses exist, including a somber "if I die in the drop zone" stanza; the jump-sequence verse above is the universal core.

Origin: U.S. Army Airborne traditionsource

Mama, Mama, Can't You See

Army

Mama, mama, can't you see What the Army's done to me They put me in a barber's chair Spun me 'round, I had no hair They took away my favorite jeans Now I'm wearing Army greens I used to drive a Cadillac Now I carry one on my back

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A running cadence built entirely on the "before and after" of enlistment — every verse is one thing basic training took away and what it swapped in. It is endlessly extensible, which is the point: any unit can bolt on its own verse. Instantly recognizable, and one of the first running cadences most recruits learn.

Origin: Traditional Army running cadencesource

I Wanna Be an Airborne Ranger (Two Old Ladies)

Army

Two old ladies, lyin' in bed One rolled over to the other and said "I wanna be an Airborne Ranger I wanna live a life of danger"

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

The most-quoted Airborne running cadence, and the one that made "live a life of danger" a barracks catchphrase. The opening couplet is the fixed part; from there the verses branch endlessly into every job and school in the Army. The Airborne Ranger is the recurring hero of Army cadence — the standard everyone claims to be running toward.

Origin: U.S. Army Airborne traditionsource

Up in the Morning

Army

Up in the morning before the break of day (before the break of day) I don't like it, no way (I don't like it, no way) Eat my breakfast too darn soon Hungry as hell by noon

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

The complaint cadence — a running jody about the one universal truth of basic training: you are always tired, always hungry, and it is always too early. Every recruit connects with it immediately, which is exactly why drill sergeants call it. Pure gripe, set to a run.

Origin: Traditional Army running cadencesource

When I Get to Heaven

Army

When I get to heaven, Saint Peter's gonna say "How'd you earn your living, boy? How'd you earn your pay?" And I'll reply with a whole lot of anger "I earned my living as an Airborne Ranger"

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A pride cadence — the runner answers to Saint Peter and claims his service as the thing he is proudest of. It is one of the more motivational jodies because it is not a gripe or a joke; it is a boast. Verses swap the job ("Airborne Ranger," "combat engineer," and so on) so any unit can make it theirs.

Origin: U.S. Army Airborne traditionsource

Pebbles and Bam-Bam

Army

Pebbles and Bam-Bam on a Friday night Tryin' to get to heaven on a paper kite Lightnin' struck (Boom!) and down they fell (Ahhh) Instead of gettin' to heaven, they went straight to…

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A pure novelty cadence — Flintstones characters, sound effects the whole formation shouts ("Boom!", "Ahhh"), and a rhythm that is impossible not to run to. It has no message and does not try to have one; it exists because it is fun to call, which is a legitimate job for a cadence. Widely documented as spreading through U.S. Army units in Germany in the late 1980s.

Origin: Traditional; documented in U.S. Army units, late 1980ssource

Superman

Navy

Superman was the man of steel But he ain't no match for a Navy SEAL Me and Superman got into a fight I hit him in the head with kryptonite

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A brag cadence — the formation is tougher than Superman, and the couplets prove it with escalating nonsense. Every branch runs a version and each writes itself as the winner; the Navy SEAL version above is one of the most documented. Short, punchy, and built for the middle of a hard run when the formation needs a lift.

Origin: Traditional; branch-specific variantssource

Momma Told Johnny (Marine Corps)

Marines

Momma told Johnny not to go downtown Marine Corps recruiter was hangin' around Suzy told Johnny, "Go serve your nation, Take a cab down to the MEPS station"

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A Marine recruit-depot running cadence that tells the whole enlistment story — the recruiter downtown, the girlfriend who says go, the cab to MEPS. It is a Parris Island / San Diego staple, run in the distinctive Marine call style ("a-lo, righty, left"). Where Army cadences lean on the Airborne Ranger, the Marine version makes the whole Corps the hero.

Origin: U.S. Marine Corps recruit training traditionsource

Ain't No Sense in Goin' Home (The Jody Cadence)

Army

Ain't no sense in goin' home Jody's got your girl and gone Ain't no sense in feelin' blue Jody's got your sister too Sound off — 1, 2 …

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

The archetypal Jody call — the one the whole "jody" nickname comes from. Jody is the civilian back home who has your girl, your car, and your life while you run in the mud, and this cadence rubs the formation's nose in it on purpose. Naming the fear out loud, as a joke, is how a formation defangs it. Endlessly extended with new things Jody took.

Origin: Traditional; the canonical "Jody" running cadencesource

One Mile, No Sweat

All Branches

One mile — no sweat Two miles — better yet Three miles — gotta run Four miles — just for fun Five miles — feelin' good, like I should

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A distance-counter cadence — it climbs mile by mile and turns the run itself into the lyric, which is exactly why it works on a long formation run. Every branch runs a version. Simple, motivating, and impossible to lose your place in.

Origin: Traditional; used across the servicessource

My Granny (She's 91)

Army

When my granny was 91 She did PT just for fun When my granny was 92 She did PT better than you

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A comedy cadence that climbs by the year — granny out-PTs the whole formation, getting older and tougher with each verse. It is pure motivation-by-embarrassment: if a 90-something can smoke you, pick up the pace. One of the most-loved running jodies precisely because it is a joke on the runners.

Origin: Traditional Army running cadencesource

Beating My Drum (Sittin' on a Mountaintop)

Army

Sittin' on a mountaintop, beatin' my drum Beat it so hard that the MPs come I said, "MP, MP, don't arrest me Arrest that leg behind the tree" He stole the whiskey, I stole the wine All I ever do is double-time

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A storytelling running cadence with a punchline in every couplet — the runner talks his way out of trouble and pins it on "that leg" (a non-Airborne soldier). It is a deep well of verses; the mountaintop opening is the fixed part everyone knows. Classic double-time material.

Origin: Traditional Army running cadencesource

A-I-R-B-O-R-N-E

Army

A is for Airborne I is for in the sky R is for Ranger B is for bonafide O is for on the go R is for Rock-n-Roll N is for never quit E is for everyday 'Cause I'm Airborne, all the way!

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A spelling cadence — the formation walks through A-I-R-B-O-R-N-E one letter at a time, each line a mini-boast. Acrostic cadences double as memory drills, and this is the best-known one in the Airborne community. Builds to the universal Airborne tag: "all the way."

Origin: U.S. Army Airborne traditionsource

Saw an Old Lady

Army

I saw an old lady runnin' down the street Had a chute on her back and jump boots on her feet I said, "Hey old lady, where you goin' to?" She said, "U.S. Army Airborne School"

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A running cadence with a twist ending — the runner mocks a little old lady headed to Airborne School, only to learn she is the instructor. It is a documented Army "double time" cadence (listed in the Army's own jody-call archive) and a favorite for the reveal: never assume you're the hard one in the formation.

Origin: Traditional Army running ("double time") cadencesource

My Dog (Boo / Blue)

Army

I had a dog, his name was Boo Boo wanted to go to Infantry school So early one day I took away his chow And I motivated his bow-wow

A commonly documented version — the dog's name and the school swap by unit (Boo/Infantry, Blue/Scuba, and more).

180BPM · Double time (running)

A running cadence about a dog who wants to go to a military school — the school swaps to fit whoever is calling it (Infantry, Scuba, Airborne, and beyond), and the Navy has its own Blue-the-SEAL version. It is a template as much as a song, which is why every unit has a slightly different one.

Origin: Traditional; branch and school variantssource

Bo Diddley (Diddly Bop)

Army

Hey, ho, Diddly Bop I'm glad I'm not back on the block With my suitcase in my hand Your left, your right, your left-right-left

A commonly documented version — cadences vary by unit and caller.

180BPM · Double time (running)

A running cadence built on the Bo Diddley beat, mixing the drill call ("your left, your right") straight into the lyric so the cadence and the footfall are the same thing. It is one of the older rhythm-first jodies and still a formation favorite for how naturally it locks a run into step.

Origin: Traditional; built on the Bo Diddley rhythmsource

Motivated, Dedicated

All Branches

Am I motivated? (Motivated!) Am I dedicated? (Dedicated!) Motivated, motivated, Downright dedicated! You check us out!

Call-and-response energizer; the closing tag ("smooth ice," unit name, etc.) swaps by unit.

180BPM · Double time (running)

Less a story than a pure energy check — the caller demands motivation and the formation shouts it back, louder each round. Every branch and every JROTC unit runs a version, and it exists for exactly one reason: to spike the formation's energy on command. The closing tag is the unit's signature.

Origin: Traditional; used across all services and JROTCsource
Marching · Quick Time (~116 BPM)

Sound Off (The Duckworth Chant)

All Branches

Sound off — 1, 2 Sound off — 3, 4 Cadence count — 1, 2, 3, 4 … 1, 2 … 3, 4!

The count refrain, as universally documented. Callers build verses around it.

116BPM · Quick time (marching)

This is the one that started all of it. Before 1944 troops marched in silence; today every branch calls cadence, and it traces to a single tired formation. The "Sound off — 1, 2" count is the skeleton every other cadence hangs verses on — it keeps 40 boots hitting the ground on the same beat. If you have ever marched in the military, you have called this.

Origin: Pvt. Willie Duckworth, Fort Slocum, New York, 1944source

Everywhere We Go

All Branches

Everywhere we go (Everywhere we go) People wanna know (People wanna know) Who we are (Who we are) So we tell them (So we tell them) We are the Army (We are the Army) The mighty, mighty Army (The mighty, mighty Army)

Call-and-response; each unit swaps the last lines for its own branch, unit, or platoon.

116BPM · Quick time (marching)

The most adaptable cadence in the force — a pure call-and-response frame where the caller shouts a line and the formation echoes it back. The last two lines are fill-in-the-blank: Army, Navy, Marines, "the mighty mighty Mustangs," whatever the unit is. Because it needs no memorized verse and instantly builds identity, it is the first cadence most recruits ever call, in every branch.

Origin: Traditional; used across all branchessource

Around Her Hair (Yellow Ribbon)

Army

Around her hair she wore a yellow ribbon She wore it in the springtime, in the merry month of May And if you asked her why the heck she wore it She wore it for her soldier who was far, far away

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

A marching cadence adapted from an old folk song about the yellow ribbon a service member's family ties for someone deployed. It is one of the more tender cadences — a story about waiting and homecoming rather than a gripe or a boast — and the branch word in the last line swaps to fit whoever is marching. The yellow-ribbon tradition it draws on is real and predates the cadence by generations.

Origin: Adapted from a traditional folk song (military versions long in the public domain)source

They Say That in the Army (Gee, Ma)

Army

They say that in the Army the chow is mighty fine A chicken jumped off the table and started markin' time Oh, gee, Ma, I wanna go home

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

A gripe cadence with a formula: "They say that in the Army [X] is mighty fine," followed by the absurd reality, capped with "Gee, Ma, I wanna go home." It descends from "Gee, Mom, I Wanna Go Home," a soldiers' satire song passed down since at least WWII — author unknown, firmly in the public domain. Every verse swaps in a new thing the Army lied about, so it never runs out.

Origin: Descends from "Gee, Mom, I Wanna Go Home" (WWII-era, author unknown)source

Hey, Captain Jack

Army

Hey, hey, Captain Jack Meet me down by the railroad track With that rifle in my hand I'm gonna be a shootin' man The best I can, for Uncle Sam

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

One of the most widely known marching cadences — nearly every soldier knows "Hey, hey, Captain Jack." The verses follow a template ("put that [X] in my hand / I'm gonna be your [X]-in' man"), so a unit can adapt it to whatever it wants to brag about. Simple, punchy, and built for keeping a formation in step.

Origin: Traditional Army marching cadencesource

Old King Cole

Army

Old King Cole was a merry old soul And a merry old soul was he He called for his pipe, and he called for his bowl And he called for his Privates three (Beer! Beer! Beer!) "…none so fair that we can compare To the Airborne Infantry!"

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

A call-and-response marching cadence built on the old nursery rhyme, where the formation shouts the ranks' lines back ("Beer! Beer! Beer!" for the privates). It climbs the rank structure verse by verse, each rank getting its own shouted response, and it has been run in one version or another since at least the 1920s. A crowd-pleaser that lets the whole formation participate.

Origin: Traditional; military versions since the 1920ssource

GI Beans and GI Gravy

Army

GI beans and GI gravy Gee, I wish I'd joined the Navy

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

A short, old marching couplet — the Army griping, good-naturedly, that the Navy has it easier. It is one of the oldest jody fragments still in circulation, and the inter-service ribbing runs both ways (the Navy has its own answer verses). Two lines, endlessly repeated, that every service has borrowed.

Origin: Traditional; long in circulation across the servicessource

A Yellow Bird

Army

A yellow bird, with a yellow bill Was perched upon my window sill I coaxed him in with a piece of bread And then I kissed his little head

The clean documented version — earlier verses circulated with a darker punchline.

108BPM · Quick time (marching)

A slow, sing-song marching cadence and a genuine classic — the tune is almost nursery-rhyme, which is part of the joke coming from a formation of soldiers. The version above is the clean one; like many old jodies it also circulated with a darker punchline. It is on the gentle end of the tempo range, better for marching than running.

Origin: Traditional; long in the public domainsource

Chesty Puller (Marine Corps)

Marines

Chesty Puller was a good Marine And a good Marine was he He called for his pipe, and he called for his guns And he called for his Generals three

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

The Marine Corps' Old-King-Cole — same call-and-response structure, but the hero is Lieutenant General Lewis "Chesty" Puller, the most decorated Marine in history and the Corps' patron saint of toughness. Marines still close boot-camp nights with "Good night, Chesty Puller, wherever you are." Every rank gets a shouted response as the verses climb.

Origin: U.S. Marine Corps tradition (honoring LtGen Lewis "Chesty" Puller)source

They Say That in the Navy

Navy

They say that in the Navy the coffee's mighty fine It looks like muddy water and tastes like turpentine Oh Lord, I wanna go home

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

The Navy's take on the "They say that in the [branch]…" gripe formula — same joke as the Army version, but the Navy's coffee stands in for the lie. It descends from the same public-domain "Gee, Mom, I Wanna Go Home" family; the Chief, not the sergeant, is the one who won't let you go home.

Origin: Descends from "Gee, Mom, I Wanna Go Home" (Navy variant)source

U-S-A-F Count Cadence

Air Force

Count cadence — count! U (I can't hear you!) S (A little bit louder!) A (That's much better!) F (All together now!) U-S-A-F!

A commonly documented version — cadences vary by unit and caller.

116BPM · Quick time (marching)

The Air Force spelling-out cadence, a staple of Basic Military Training at Lackland. The Air Force runs fewer cadences than the ground services, and leans on count-and-spell chants like this one — the formation shouts the service name letter by letter, louder each time. Often tagged with "we like it here, we love it here, we finally found a home."

Origin: U.S. Air Force BMT tradition (Lackland AFB)source

There's a Hole in the Bottom of the Sea

All Branches

There's a hole in the bottom of the sea There's a hole in the bottom of the sea There's a hole, there's a hole, There's a hole in the bottom of the sea … There's a log in the hole … … There's a bump on the log … … There's a frog on the bump … … on the log in the hole in the bottom of the sea!

A commonly documented version — it builds cumulatively (log, bump, frog, wart, hair, flea, germ…), each verse stacking on the last.

112BPM · Quick time (marching)

The endurance cadence. It builds cumulatively — hole, then a log in the hole, then a bump on the log, a frog on the bump, a wart on the frog, and on and on — so every verse gets longer and the whole formation has to nail the growing chain without dropping a link. That is the point: it goes as long as the caller wants, which makes it perfect for a long march when you need something that simply does not end. Adapted from the old cumulative folk song.

Origin: Adapted from a traditional cumulative folk songsource

The old tradition

For decades a cruder layer of cadences ran — sexual, racist, or celebrating civilian deaths — that would never be authorized now. This section is history, not a lyric sheet. We explain what the tradition was and why the modern force retired it; we don't reprint the words.

Who Is Jody?

Half the old cadences are addressed to a man named Jody — and "jody call" became a synonym for cadence itself. Jody is the fictional civilian back home who is with your girl, driving your car, and living your life while you are in the field. He is a joke and a pressure valve at once: cadences about Jody let a formation laugh at the exact fear every deployed troop carries. The character is old — versions of "Jody" predate WWII in African American work-song and blues tradition, the same root the Duckworth Chant grew from. The Jody frame itself is not offensive; it is what some callers built on top of it that is.

source

The Cadences That Got Retired

For decades a whole layer of cadences ran that would never be authorized today — graphically sexual, racist, or celebrating civilian deaths. The most infamous, "Napalm Sticks to Kids," came out of Vietnam and was still being taught across all branches into the late 1980s before the services moved to prohibit it. A Naval Academy study of the genre put it bluntly: "offensiveness drives cadences" — the shock was the point, and gallows humor was the defense mechanism for people doing dangerous, distasteful work. We are not reprinting those lyrics; the point is the history and why the modern force retired them. Today's policy is clear: cadences that are sexual, degrading, or that demean any group are prohibited, and a cadence that would embarrass the unit in front of a civilian does not get called. The tradition survived by cleaning itself up.

source